Female Social Roles In Victorian Literature

Female Social Roles In overnice literary worksDuring the period between tight-laced and modern senesce, young-bearing(prenominal) genial roles draw changed significantly however, they serene run across in remained nigh(prenominal) approach pattern communicable from its previous generation. To examine wo custody and society of their time, Charlotte Bront in nineteenth blow and Virginia Woolf in twentieth century could provide the studyion in a run and realistic track. However, t present be similarities and differences in feminine person brotherly roles in their ages. The aim of this study was to compargon and contrast Bront and Woolfs portrayal of women and their genesis in harm of professions, labor union, and consciousness. It is concluded that thus far though the twees pioneered to give the emancipation of women, they were alone abandon the domestic join in Bronts metaphor. On the variant hand, Woolf had claimed women rights should be developed by e conomic independence, scarce she did not disavow conjugation. This may be interest feminists, neighborlyists and literature readers, especially who want to accredit more about women modern times.ContentsAbstractIntroduction1. working(a) Women in the Literature of Charlotte Bront and Virginia Woolf1.1 Similarities1.2 Differences2. Wives and Mothers in the Literature of Charlotte Bront and Virginia Woolf2.1 Similarities2.2 Differences3. The Aw beness of Women in the Literature of Charlotte Bront and Virginia Woolf3.1 Similarities3.2 DifferencesConclusionReferencesIntroductionFemale social roles know changed dramatically from puritanical age (1837-1901) to modern age (from twentieth century to the present), and literature would reflect in a vivid mode the sex act between women and their eras. Writers such as Charlotte Bront and Virginia Woolf atomic number 18 particularly influential on the literature and the contemporaries in dainty and modern age. As the female draw uprs, which argon not valued in their generations, Charlotte Bront and Virginia Woolf have more c resortness and concern to the women in their society.Before and at the runner of nineteenth century, a object lesson of femininity was the perfect lady, which was inherited as a straight-laced likingl of women. Family and piety were the base of blue(a) society, and girls were all taught to submit to the authority and matrimony (Vicinus 1972). The concept of The Angel in the House, which was referred to the embodiment of niminy-piminy women, was prevail in the twee society. As a result, women in square-toed geezerhood were regarded as unharmonious and excluded in more professions. Showalter(1999) points out that the first of all original activities of Victorian women argon either in the home or in womanhood. From the nineteenth century, however, the prevalence of education attributed to the gradual rising incidence of working women. Besides, by the struggles of individu als and feminists, the obstacles to the presentation into professions for women, whose exclusion and incompatibility in work had been debated, were removed in the beginning of twentieth century. (Swindells 1985) Meawhile, the concept of lessonity and family was strongly suspected by the critics and feminists, who repugn that there is no The Angel in the House. Within a century, not only female social roles but besides female sentience had been emancipated from restraint, though some(prenominal) practiceal notions had shut apart remained.The purpose of this writing is to comp are female social roles in Charlotte Bronts Victorian allegory and Virginia Woolfs modern literature in terms of three aspects working women, wives and mothers, and awareness of women. Women and professions in Bront and Woolfs literature lead be compared and contrasted firstly. Then the similarities and difference of hook up with women their work testament also be examined. Finally, how female cons ciousness is visualised in their work and its development from Victorian to modern age will be discussed.1. Working Women in the Literature of Charlotte Bront and Virginia Woolf1.1 SimilaritiesNineteenth century is a crucial period for modern age because of the gender attitude and practices and professional structure which people inherited were formed. Besides, despite of the position that the entry of Victorian women with professions had not happened in significant numbers (Swindells 1985), the idea of professionalism in Victorian age also stimulates the inspiration of the contemporary novelist, Charlotte Bront and the modern writer, Virginia Woolf. Due to the fact that women have gained more access to education since the middle nineteenth century , twain Charlotte Bront and Virginia Woolf have positive stance on women professions because women feel fair as men feel they need exercise for their faculties and a compass for their efforts as much as their brothers do. (Bront 19851 41)Women and professions are presented in Charlotte Bronts novels. The or so prevailing occupation for young girls in the middle-classes in Victorian Age is governess, as Charlotte Bronts Jane, the well-educated heroine, in Jane Eyre. To quote from Franoise (1974155), she is completely bump in her work, that her relations with her pupil Adele are good, she deplores Adele French coquette and frivolity. Mr. Rochester has enough books in his library for her teaching methods. In Jane Eyre, Charlotte Bront depicts the background of a governess manners in her employers family.In Virginia Woolfs viewpoint, it was possible that women are kept away from academies and institutes, but women cannot be forbidden from using the pen, paper and writing desk. Katharine Hilbery in Virginia Woolfs iniquity and Day is the implication of her approval of female professionals. During the daytime, Katharine helps her mother write the biography of her grandfather Richard Alardyce, who is a well-kn hol d poet, and she develops her interest at night. In addition, Katharine Hilbery is expected to be a writer to inherit the talent of her family estate. Virginia Woolf uses Katharine as her idea of a feminist marriage is not the only terminus for women.As the incidence of working women has increased, writers as Charlotte Bront and Virginia Woolf create their own heroines concerning the relation between female and professions. though they belong to the two generations that female capabilities are frequently denied, Charlotte Bront and Virginia Woolf share the same point that women can do as good as men in vocations. However, there are some various development of their novels which represent Victorian and modern ideologies of women who have jobs, and they would be discussed in the following section.1.2 DifferencesIn the late Victorian age, the conventional social roles of women, who start to demand their own welfare and seek for more reconstructive roles in society, met great challen ges (Vicinus 1972). Therefore, there has been a rise of the number of women who have professions since Victorian age. In the literary work of Charlotte Bront and Virginia Woolf, there are different implications and stances of working womens final outcome.Women in Charlotte Bronts fiction are change by the ideology that marriage is the ultimate goal for women in Victorian age. Franoise points out that Jane in Jane Eyre, ends up by marrying after cosmos separate and free for a time, and that she gives up the task of a tutor and enjoys the moral satisfaction. Jane also indicates that Victorian married women in working-class were cool off minority. another(prenominal)(prenominal) heroine in Charlotte Bronts Shirley, Shirley Keeldar, who longs for pursuing an occupation, would never stray from the domestic model eventuallyCaroline, demanded Miss Keeldar abruptly, dont you wish you had a profession a dealer?I wish it fifty times a day. As it is, I often wonder what I came into the wor ld for. I long to have something absorbing and compulsory to fill my head and hands, and to occupy my thoughts.Can grind alone make a human being happy?No but it can give varieties of pain, and impede us from plumping our paddy wagon with a single tyrant master-torture. Besides, successful labour has its recompense a vacant, weary, lonely(prenominal) hopeless liveness has none. (Bront 1977235)This passage represents the confrontation of come and professions in Victorian age. Though Caroline wants to have a richer life by working, professions for her still cannot be prior to love and marriage. The function of work is to prevent us from breaking our hearts with a single tyrant master-torture. As Vicnus (1972xi) pointed out, many young women suffered the pangs of unrequited or false love, as depict by Caroline.On the other hand, Virginia Woolf claims that women must be economically nonsymbiotic to develop their professions. In A Room of ones Own, Virginia Woolf particularly po ints out the difficulties that women as vocational writers have met. The imaginary heroine, the talented Shakespeares sister, is neglected and rejected by the society. If she has the room of her own, her creativity would be valued.In Professions for Women, Virginia Woolf states her opinions after the beginning of womens sackful from work in early twentieth centuryThe whole position, as I see ithere in this hall surrounded by women practicing for the first time in history I know not how many different professions-is one of extraordinary interest and importance. You have won populate of your own in the house hitherto exclusively owned by men. You are able, though not without great labour and effort, to pay the rent. Your are earning your five vitamin C pounds a year. But this freedom is only a beginning the room is your own, but it is still bare. It has to be furnished it has to be decorated it has to be shared. How are you freeing to furnish it, how are you going to decorate it? With whom are you going to share it, and upon what terms? (Woolf 1942153)In the abut of making the entry into the work, women had won their own rooms and five hundred pounds a year, which Virginia Woolf regarded as necessary. She considered professions for women as extraordinary interest and importance. The room, professional work, was no longer possessed only by men. Finally, women had the decision to furnish, decorate, and share the room. In sum, women in the beginning of modern age had strived for their rights to get the access to the professions, the psychiatric hospital and great progress in female history.2. Wives and Mothers in the Literature of Charlotte Bront and Virginia Woolf2.1 SimilaritiesSince roughly of the literature of Charlotte Bront and Virginia Woolf explore the relation between female and their contemporary era, marriage hardly fails to be neglected. Calder(197659) states, marriage in Victorian agewas the core of social life and social aspiration. In the earl y twentieth century, modern society still remains the domesticity and morality inherited from Victorian age. Thus, female roles in the fiction of both Charlotte Bront and Virginia Woolf inevitably follow the conventions of the idea of marriage. espousals is a social success in Victorian age, and being unmarried is considered the failure of womens lives. In Jane Eyre, Janes marriage with Rochester is domestic, with her total dedication to her husband. Jane is in the social doctrine that a Victorian woman should be all devoted to her husband and children, and that her vocation is to provide a comfortable and domestic life for her mate On the hand, Caroline in Charlotte Bronts Shirley finds that an unmarried woman is doomed to be the victim of society, as shown by Miss Mann and Miss Ainsley. Single women are in the sacrificed social status, just like the homeless and unemployed people. (Franoise 1974)Similarly, Virginia Woolfs women are cast in a highly traditional mould and still con fined to a female sphere(Stubbs1979233). Mrs. Ramsay in To the Lighthouse leads an well-ordered life and creates the harmony not only be giving birth to children but also by giving a peaceful life for them. In fact, the stability of the family is based on the nature endowing with life, the mother. In Mrs. Dalloway, Clarissa is the hostess transcription the society in her house, and she is also the symbol of the natural bond to the convention and society despite of the fact that her husband and her are an unequal couple. (Marder 1968)In sum, the ideas of marriage in the ages that belong to Charlotte Bront and Virginia Woolf are similar that is to say, wives and maternity are the basis of stability and the core of domesticity. Nevertheless, Poovey (1988) has indicated that the Victorian supremacy of one to another is always unstable, and the inequation can explain the emergence of the opposite, the various figurehead of feminists. The change of the structure and the ideology of fam ily has implied in Virginia Woolfs later novel, Three Guineas.2.2 DifferencesMarriage in Charlotte Bronts literature differs from Virginia Woolfs in terms of the womens subordination. In Victorian age, men control over women in relationship and matrimony, both of which are suggested in Charlotte Bronts Jane Eyre. However, this situation has changed in modern age, when masculine position has gradually eroded. Instead of staying in the masculine domination, people start to be suspicious of the value of marriage in modern age. Virginia Woolfs Three Guineas has indicated the decadency of family.In Jane Eyre, the theme of mastery of male power could often be seen. In Janes childhood, she is demanded to call basin Reed my master. When she develops the relationship with St. John and Rochester, she insists on her personal will and freedom. However, she expresses her struggle and inability to avoid the domination of St. John By degrees, he acquired a certain influence over me that took aw ay my liberty of mind his praise and notice were more restraining than his indifference (Bront 1977423). As for Rochester, he completely masters Jane, not only as an employer but also a man. Jane says, for a moment I am beyond my own mastery (Bront 1977272). She cannot resist the attraction of male domination from Rochester, even when she tries to escape from him. In the end, the rebellious and ambitious Jane submits to her master, Rochester, and finally becomes absolutely organize of his bone and flesh of his flesh. (Calder1976)In Virginia Woolfs opinion, unlike Charlotte Bront, marriage to women is a way to show subordination in masculine society. Once women are married, they lose their independence, self-identity and the bond with society. In Mrs. Dalloway, it suggests that its likely that women are the prisoners in marriage nonetheless, Clarissa, the protagonist, still can feel at ease and find a way out in matrimony by arranging a party at home. May (1981134) claims, Mrs. Dall oway is about degrees and kinds of relatedness and human beings to one another, varying from lonely madness to self-compromising sociability. Virginia Woolfs Three Guineas is based on her observation of the society. In the beginning, the Victorian family (the Pargiters) seems stable but gradually falls into decadence. Eventually the members of the three family have been separated, and many of them remained unmarried or even isolated. At the end if the story, the children and grandchildren gather in a party, which indicates that time has brought the revolution and breakdown to traditional Victorian society.From the literary work of Charlotte Bront and Virginia Woolf, we can discover the development of the idea of marriage from Victorian to modern age. Virginia Woolf, as a female writer, examines and criticizes womens role in marriage, which is an ultimate goal for Victorian women.3. The Awareness of Women in the Literature of Charlotte Bront and Virginia Woolf3.1 Similarities more th an work opportunities provided for women were the implication of females awareness of the importance of economic independence. Therefore, free heroines could be seen in Charlotte Bronts literary work in Victorian age (Vicinus 1972). Besides, they became the foreshadow of Virginia Woolfs modern literature. Independent heroines are often portrayed in their fiction.In Charlotte Bronts novels, Shirley and Jane Eyre, the outspoken main female protagonists are the models of women independence. Shirley Keeldar, who describes herself as a woman, and something more, is an economically independent woman in Shirley. In addition, Shirley also suggests that the dependent relation is always unstable and leads to misery. Like the workers to their owners, wives are step and ignored. In Jane Eyre, Jane will not succumb to the reality, and it could be seen from her rebellion in childhood to her pursuit for knowledge and love in womanhood. Jane is not cheery with the feeling of confinement Then I l onged for a power of imagination which might overpass that limit which might reach the busy world, towns, regions generous of life I desired more of practical experience more of intercourse with my kind(Bront 1977140).Franoise(1974) also points out that Jane does not deny her love for Rochester and that she confesses and attentively listens to his depiction of his story, as a result of her refusal to the traditional maidenlike roles reliance, modesty and shyness. According to Showalter (1999), Janes running away from Rochester is her self-preservation. In Jane Eyre, as cited by Showalter (1999), Jane tells herself, I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself (Bront 1977344). For her, action is always the way to independence. Franoise (1974) claimed that Charlotte Bronts heroines represented the female disobedience to conventional rules and the liberty of the Angel in the House.In modern age, Virginia Woolf a lso claimed the importance of being economic independent and having a room for ones own for women. As Virginia Woolf (1945112) stated in A Room of Ones Own, the habit of freedom and the courage to write exactly what we think,thence the opportunity will come and the dead poet who was Shakespeares sister will spew on the body which she has so often laid down. If the room of ones own is a place for the feminine conference, which contains the authority, politics, and aggression in male world, it will be a grave, as Clarissas attic bedroom in Mrs. Dalloway. However, if it is a center combined with female tradition and culture if people here make efforts to women independence, then Shakespeares sister, the future Virginia Woolf, may appear eventually. That female shares the equality with male is not a fantasy (Showalter 1999). In Virginia Woolfs To the Lighthouse, Lily, a female painter, eagerly wants to prove her ability to Charles Tansley, who claims that women cannot paint and write. She represents the women of independence and females desire of passing game the gender boundary.Charlotte Bront and Virginia Woolf have indicated the female awareness and independence of their contemporary ages however, it seems that Victorian women still fail to be separated from domestic marriage. The differences of Charlotte Bront and Virginia Woolfs heroines in terms of female awareness will be examined in the following section.3.2 DifferencesThough both Charlotte Bront and Virginia Woolf have portrayed and declared their stances toward women awareness, they have endowed them with different characteristics and destinies suggesting the conventional notions in Victorian and modern age. In Bronts novels, however, female roles ultimately cannot avoid the bond of marriage, which is considered as the destination of Victorian women. On the contrary, Woolfs women would not always follow this pattern. Furthermore, she has pointed out the flaw of Bronts fiction.In spite of the fact that most of the heroines in Bronts novels are passionate, restless, and often contradictory in their inner world, they are often tied to matrimony at the end of the story. Both Bronts Jane Eyre and Shirley provide the evidence of convention that Virginia Woolf attacks. Love and marriage are significant ingredients in the literature in nineteenth century.In Jane Eyre, Jane is ambitiously desired to pursue the vastness of knowledge. Meanwhile, like Shirley Keeldar in Shirley, she can only contemplate marrying a man who can be her master (Calder 1976). Similarly, the two heroines in Shirley, Caroline and Shirley, hunt for independence however, both of them quest for ideal mates as well. The pattern of Jane Eyre and Shirley is similar to some extent those female protagonists have no choice but being dominated by men at last.In twentieth century, Woolfs Night and Day shows that womens consciousness has challenged the social notion concerning female roles and that marriage to women is not the only solution. Though being in the dilemma of the fact that if she should break the convention and disobey the expectation from her family, Katharine Hilbery can decide her own future. Besides, in Virginia Woolfs A Room of Ones Own, she argues that Charlotte Bronts writing inherits masculine style, It was a doom that was unsuited for a womans use. Charlotte Bront, with all her splendid gift for prose, stumbled and fell with that unskilled weapon in her hands (Woolf 200077). Virginia Woolf regards that literature has been authorized by men since ancient time thus, masculine sentences are inevitable even in womens literary work. Showalter (1999) has expressed a similar view that female writers had been disadvantaged of the language of their own style and the awareness of ambition, and their deprivation had extended from Victorias eclipse to the twentieth century. The delicacy and fastidiousness of Woolfs language is an expansion of this feminized style.ConclusionCharlotte Bront a nd Virginia Woolfs portrayal of female characters had reflected the female social roles in Victorian and modern age. In the passage between nineteenth and twentieth century, the womens ideology and the social norms had changed, while some of them still had been inherited. They were presented in Bront and Woolfs literature in a various and absorbing way.To compare and contrast women in the literary work of Bront and Woolf, the female roles in professions and marriage and their awareness were chosen. More and more women had had their vocations, which meant that they had the economic independence however, Victorian women still could abandon it for marriage. Besides, it was discovered that while domesticity had been valued in both Victorian and modern age, people gradually had found the flaw of the subordination of wives. As for womens inner world, self-discovery and thirst for independence were both considered in Bront and Woolfs literature. opposed Bront, Woolf had emphasized the s ignificance of womens own income and feminine language. It is concluded that female had gained more freedom in modern age and that Virginia Woolf strongly supported the idea of gender equality and was optimistic toward the future women status.